Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | Evening | La Donna Velata | Madonna and the Fish | Self Portrait fff | Madonna of the Cloth |
Related Artists:
Jennie A. Brownscombe
Jennie Augusta Brownscombe American, 1850-1936 She has been called "a kind of Norman Rockwell of her era." In fact, the skillful drawing, attention to detail, and nostalgic moods of her paintings make the comparison between Jennie Augusta Brownscombe and the popular American illustrator seem quite apt. Brownscombe's early life sounds like the story behind one of her own pictures. Born in a log cabin in rural northeastern Pennsylvania, she was the only child of William Brownscombe, an English-born farmer, and Elvira Kennedy, a direct descendant of a Mayflower passenger, who encouraged her young daughter to write poetry and draw. Brownscombe won her first awards as a high school student, exhibiting her work at the Wayne County Fair. When her father died in 1868, Brownscombe began supporting herself through teaching, creating book and magazine illustrations, and selling the rights to reproduce her watercolor and oil paintings as inexpensive prints, Christmas cards, and calendars. More than 100 of Brownscombe's works were distributed this way, spreading her images into homes throughout the nation.
PANNINI, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,
Henry William Pickersgill
English Painter, 1782-1875 was an English painter specialising in portraits. He was a Royal Academician for almost fifty years, and painted many of the most notable figures of his time. Born in London, Pickersgill was adopted in his youth by a Mr Hall, a silk manufacturer in Spitalfields, who financed his schooling and then took him into the family business. However, when war caused difficult trading conditions, Pickersgill opted to develop his talent for painting into a career, and was a pupil of landscape artist George Arnald between 1802 - 1805 before entering the Royal Academy Schools as a student in November 1805.His early subjects were varied and included landscapes and classical and historical themes, but he eventually settled to portraiture as his speciality. His first exhibit at the Royal Academy was a portrait of his benefactor Mr Hall, and during his lifetime he showed a total of 384 paintings there. He was elected to associate membership of the Academy in November 1822 and full membership in February 1826. Pickersgill was one of the pre-eminent portrait painters of his day. William Wordsworth, George Stephenson, Jeremy Bentham, Elizabeth Barrett Browning, Lord Nelson, the Duke of Wellington and Faraday were among the many notable people who sat for him. He famously painted author James Silk Buckingham and his wife Elizabeth in Arab costume in 1816, reflecting Buckingham's own travels in the East as well as the fashion of the times for the Orient. The National Portrait Gallery, London has over 50 of his portraits in its collection, including 16 original oils and 35 engravings after him, along with a small number of portraits of Pickersgill himself by others. From 1856?C64 he was librarian of the Royal Academy. He retired from the institution in December 1872, and died at his home in Blandford Square, London at the age of 93. Pickersgill's brother Richard, son Henry Hall and nephew Frederick Richard were also painters.